Heidekolb's Blog

On AVATAR and the Return of the Feminine- A Jungian Perspective

December 26, 2009
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Much has been written about the film Avatar since its release. Critical voices abound. Some see it as a “white person’s fantasy on racial identity”. This thought would have never occurred to me. Others see it as a “mythic expose” of Western militarism & colonialism. That reasoning I can appreciate. It is what one might see when the eye is focused on the history of Western civilization.  To that I will add some thoughts from psyche’s perspective.

I will focus on the intra-psychic angle, which means we will attempt to see from “the inside out”. Imagine that there is indeed a World Soul, as the ancient philosphers and alchemists believed and  captured in the image of the Anima Mundi (Soul of the world). It is the spirit in nature that animates all matter. It is the spirit that creates an interconnected, sentient and intelligent web of life of which humanity is part of.

An ancient symbol of this unity of life is the world tree. This image shows up in most world mythologies. From Yggrasil, the world tree in Nordic mytholgy to the Tree of Life in the Genesis.  It is part of the mythology of the San people of the Kalahari desert, the oldest existing culture on earth and the world tree also figures prominently in the cosmology of the Mayans. That so many seemingly unrelated cultures revere the world tree points towards a synchronistic event reflecting a much larger cosmic reality. As above so below.

The biologist Carl Calleman postulates (in “The Purposeful Universe”), a central axis, a cosmic Tree of Life which creates organizations of life on a microcosmic level, that is on the level of our lived life. The soul knows, and has always known, that the image of the tree holds a deep mystery and a connection to a transpersonal reality. The tree, deeply rooted in the ground below, opens its branches towards the heavens. It needs the water from below and the light from above to live and grow. In Jungian thought, the tree, has a bridging function and is an integral part of nature. The tree image is an exquisite image of the archetypal feminine.

Such a tree is the source of strength, knowledge and inspiration of the Na’vi, the native inhabitants of Pandora. I suggest that the Na’vi can be seen as personifications of our disowned and split off connection to nature, our own nature as well as Nature in the world. The Na’vi may represent our repressed connection to the mysteries and wonders of life and cosmic reality. This seems  true on an individual as well collective level.  On the individual level, this is what happens when cynicism wins out over a tender feeling. In that moment a bulldozer killing machine steamrolls our soul and consciousness. Not unlike the military commander, who is cut off from nature’s suffering and her plight. The abuse of the natural world and her resources on a collective level are so blatantly obvious that there is no need to go into further detail now.

Avatar can be seen as a constructive countervision to the catastrophy mongering of 2012 mania. It shows us what needs to be done. Individually and collectively. The archetypal feminine is returning. Whether we like or not, the Goddess is on her way back. Symbolically,not literally, but the forces involved are VERY REAL. Whether this will be a smooth process or a catastrophic event depends largely on us. Can we make this shift, as individuals and as a culture, to make room for  Yin, the archetypal feminine and expand our linear, mechanistic and overly rational frame of what we think consciousness is?

One intriguing fact is that the Na’vi are blue. I have no doubt the makers of  Avatar were aware of the blue god in Hindu mythology, Krishna.Krishna was the eighth reincarnation (avatar) of the Hindu God Vishnu. Significant similarities exist between Krishna and the Christ figure. Both were sent by a father god to challenge the tyranny of the ruling class. Both were considered divine and human. Krishna is often depicted with a flute, which  people found irresistable. Krishna was a rebel, a poet and a lover of many women in Hindu lore. This earthy behavior and the flute connect him to the Greek Pan and they are all aspects of the connection to the archetypal feminine that needed to be split off, denied and repressed in the Christ of the dogmatic church. (Only the Gnostics allowed for a different image of Christ to surface).

The 2012 hype aside, many sense that a major shift is demanded from us. We may need to, as shown in AVATAR, emerge into our Na’vi nature, which is living in harmony with the feminine of which the soul is part of.  This is not a simplistic return to nature or to a previous evolutionary stage. It may be the next leap in the evolution of consciousness, and the only one that  may hold the promise of survival.


On Soul and Darkness and Imagination: The Red Book Reflections

November 6, 2009
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In the Red Book (RB) Jung documents his process of confronting a series of gruesome visions and fantasies filled with blood, destruction and cruelty. As I am writing this, images of the tragic news today of the massacre at Fort Hood flash through my mind. Jung’s recorded visions date from 1913 to 1914 and he considered them to be precognitive, foreshadowing the flood of destruction that would soon sweep through Europe. I am thinking of our culture’s current fascination  with horror, violence and destruction, which, so we are told, will culminate in the cataclysmic events of “2012”. End days? The final hurray before the ultimate apocalypse? Maybe. Jung was deeply effected by the darkness that enveloped Europe during the First and Second World War. The horrors were unimaginable and it was indeed the end, the death for millions. Yet life continued. But the danger still looms. The archetype of the apocalypse (the violent pattern of disintegration of the world as we know it) continues to be the dominant force. Hindu mythology tells us that the dark age of Kali Yuga began 3000 BC and will last for another while (another 400 000 or more years). Are we depressed yet? Ready to stick the head in the sand or bury the nose in a bottle? I would not blame you.

But that is not what Jung did. One way of looking at the RB is, I suggest,  as a “How To” book of some sort.  How to gaze into the darkness and survive it. How to gaze into the darkness and bring forth meaning. How to gaze into the darkness and, Deo Concedente, find a shimmer of light in it. Not a job for the faint hearted, but then the Jung I know never was. One thing I am certain is that the RB will do away with for good with the notion that Jung is a fluffy, new agey psychologist whose path of individuation is filled with love and light and flowery archetypal imagery.

If we stay with the idea of looking at the RB as a  “how to” (deal with these times) book a little longer, then Jung suggests the absolute necessity of “refinding the soul”( p.231). Not the idea of soul as it has been co-opted by religious institutions, but the very private soul (or psyche if you prefer). Our core that is capable of the most terrible suffering and the most ecstatic bliss. It is the expression of our shared humanity, which  connects us to the larger world soul, the anima mundi. The soul in us feels, connects, longs for, desires. It finds and creates beauty. Cynicism, political games and unbalanced ambition are lethal to soul.

Jung writes:” He could find his soul in desire itself, but not in the objects (italics mine) of desire. If he possessed his desire, and his desire did not possess him, he would lay a hand on his soul, since his desire is the image and the expression of the soul. If we possess the image of a thing, we possess half the thing. The image of the world is half the world” (p.232). Jung develops here what is to become a hallmark of his work: an appreciation for the power of the imagination, the true alchemical imagination that creates and transforms worlds.

Looking back out into our blood stained, violent and cynical world as we spin (out of control?) towards 2012, it is our courage and willingness to follow the soul’s imagination that could change the trajectory of our current path of destruction, for nothing is ever written in stone.


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